In the first of a series of guest blog posts from Sue Blacker and colleagues at The Natural Fibre Company, we invite you to embark upon The Wool Journey, exploring the what, how and why of all things wool. It’s must-read for any sheep-keeping smallholders, spinners, dyers, knitters and felters out there.

Most of us know wool comes from sheep, and perhaps we think it is always white and all the same: this series of articles may make you think again! The structure of wool is complex. These illustrations come from the Australian wool information site. For those interested, there are many more books and illustrations, which show the structure of hairs and how they grow from the skin.

Generally, wool is from sheep and other animals produce hair – however this is mainly a terminological difference: all of the wool and hair-producing animals produce a keratin fibre, which has various attributes and is virtually identical in chemical terms to the hair of humans.  Hairs tend to shed while some wool grows till shorn and some sheds, and generally hairs have a thicker central core (medulla) than wools, so they are more like tubes.

In addition, the New Zealand government website on science learning has a short video and description of wool which you can find here.

The central core of the wool hair has a left-handed twist of fibres and a right-handed central helix. The combination of these two central threads and their relationship gives the wool its particular ability to stretch and recover its original shape and varies between different wool types and breeds, which are also significantly characterised by the format of the outer scaly surface. For processing purposes, we are interested in the variations of these characteristics of the wool and hairs, in terms of the types of animals from which they come and what this does to determine the properties of an eventual product.

The structure of the fibres on different animals varies considerably.

Wool will spin and felt because each hair has scales on it and it is the linking together of these scales that permits the fibres to be spun into yarns or, under stronger pressure and agitation, causes wool to felt.  Alpaca and mohair fibres also have scales, but they are much smoother and more like human hair, with the result that these fibres, particularly if coarse, are harder to spin and felt.

Having been developed by the animals to live outdoors year-round and all over the world, over thousands of years, wool and hair fibres are all:

• renewable, sustainable, biodegradable
• light (compared to linen or cotton for instance)
• elastic and resilient, to varying degrees
• hygroscopic, making them water resistant, wicking, insulating (due to the hairs containing air and in the case of wool also due to warming up slightly when wet) and water absorbent according to the situation
• fire retardant
• UV blocking
• odour resistant, stain resistant, anti-bacterial and hypo allergenic.

The other key difference between wool and hairs is that the hairs are generally more dense, so the same weight of wool will take up more space than of alpaca or mohair.  Generally the lustre longwools are also denser than the downland wools.  This will also affect the style of yarn and fabric able to be made from different types of wools and hairs and also enables us to design yarns or fabrics suited to each particular end use.  The appearance of the animal gives a clue here!

The key attributes for processing are:

• Thickness
• Length
• Crimp
• Lustre
• Consistency
• Colour

We’ll explore these attributes further in Part 2 of The Wool Journey coming soon, with thanks once again to The Natural Fibre Company. You can learn more about their important work as a spinning mill helping wool producers add value to their products via our network directory. The original series of posts can be found here on the The Natural Fibre Company & Blacker Yarns blog.